I can tell I'm growing rusty with this hand-written journal business. I've grown accustomed to the ease of mechanically encoding my streams of consciousness on computer documents and then rearranging the thought blocks like a tetris game until the pieces form something of a coherent narrative. But in this archaic ink world, in which I contentedly self-expressed for years prior to this July, I suddenly feel suffocated and mortal--physically limited by the two-dimensional space, mentally incapable of slowing my jumbled neuron firings to the clumsy speed of my hand, and technically prevented from pressing the delete button or copy/pasting the random thought bubbles to put them in order.
This practice forces me to take pause and consider which waves of words in the ocean of my brain deserve to break against the shore of The Record. When I'm feeling tired or lazy, the pages flood with unadorned recountings of the day's events and undeveloped annotations of my surface-level emotional state.
"Today, Fabian, Iris and I hiked to a waterfall and gave ourselves a 'spa treatment' with exfoliating red clay from the trail and a massage from the cascading falls. Not my typical Christmas morning."
It's dry and straight, but it's raw. It grants me the comfort that at least the memory will not be completely drowned in the depths of rememberlessness. It may rust or discolor, it may only be a palm-sized artifact of a Titanic experience which, in its time, was vibrant with characters, colors, sounds, smells, and feelings. But it's something--if even the smallest of relics--to save the moment from oblivion.
And, honestly, it is hard to say if the other kinds--the carefully premeditated word waves--will provide any more useful to the future (if that is, indeed, who these writings are dedicated to). With all of their metaphors and verbose articulation, they still carry but a drop of the sea of the Present.
It is most frustrating when attempting to capture The Beautiful. The Unfortunate can be conveniently framed in sarcasm and The Ordinary is made novel simply by exposing curious particularities. But despite even the most eloquent efforts to describe the pristine, the magical, and the surreal, the recaptured stories seem to uncurl on the sand, flat and foamless, without even so much as a white crown to show for all their immensity of detail and wonder when they were forming. I will never remember them fully. The waves always disappear in the sand, no matter how magnificent.
Reflecting on the fleetingness of even the most momentous of events creases a whirlpool of nihilism in which one can easily drown in the despair of futility and impotence. I rescue myself by saying that I write for the Present, for myself, for the Now--as a means of meditation, a way of drinking in even more of a moment by willfully applying conscious language to the infinite waters of sensations and observations. I tell myself that my journal is a pure art, seeking only self-expression without concern for recognition, validation, or preservation. If I actually believed this philosophy, I would suffer no trauma f this entire notebook sunk to Atlantis tomorrow. Hence my theory is, like so many of man's religions, a hypocrisy. [As proven by the fact that I am transcribing this entry to this page right now]. It is a merely a mind game, an existential life preserver, to keep me afloat in the unrelenting tides of passing time.
"All the time we are aware of millions of things around us - these changing shapes, these burning hills, the sound of the engine, the feel of the throttle, each rock and weed and fence post and piece of debris beside the road - aware of these things but not really conscious of them unless there is something unusual or unless they reflect something we are predisposed to see. We could not possibly be conscious of these things and remember all of them because our mind would be so full of useless details we would be unable to think. From all this awareness we must select, and what we select and call consciousness is never the same as the awareness because the process of selection mutates it. We take a handful of sand from the endless landscape of awareness around us and call that handful of sand the world." - Robert Pirsig
"All the time we are aware of millions of things around us - these changing shapes, these burning hills, the sound of the engine, the feel of the throttle, each rock and weed and fence post and piece of debris beside the road - aware of these things but not really conscious of them unless there is something unusual or unless they reflect something we are predisposed to see. We could not possibly be conscious of these things and remember all of them because our mind would be so full of useless details we would be unable to think. From all this awareness we must select, and what we select and call consciousness is never the same as the awareness because the process of selection mutates it. We take a handful of sand from the endless landscape of awareness around us and call that handful of sand the world." - Robert Pirsig